Description
Painting from Direct Observation
Themed workshops relating to working from direct observation, colour mixing and perception will support your practice, as well as demonstrations given by your tutor. Structured activities during the first half of the week will lead into the sustained development of a still life painting. This course is suitable for students who already have some experience of drawing and painting independently.
Tutor: Kate Hopkins and Ian Rowlands
7 - 11 August
Five days
Monday to Friday
10:00am to 4:00pm.
Course #: SC21
Topics to be Covered
• Picture plane and measure
• Colour into tone
• Lost edges – spaces between
• Restricted palette
• Extended palette
• Painting language
• Painting mediums – best practice
Materials List
Oil Paint – Basic Palette
Titanium white
Cadmium lemon (or Winsor lemon)
Cadmium yellow medium
Cadmium red
Alizarin crimson
Ultramarine blue
Cerulean or Cobalt or Pthalo blue
Ivory black
Medium
Sansodor (odour free solvent)
Brushes
Pure sable or nylon sizes 2 and 4
Hog hair sizes 4 and 8
Rigger size 1 or 2
Palette knife
Equipment
Paper towels
Two screw top jars
Palette (tear-off or wooden)
Dipper
Optional
Apron or old shirt
75ml Linseed stand oil
75ml Liquin original (speeds drying)